Beautiful and Damned: “Pale Flower”
Existential despair meets sixties cool in Masahiro Shinoda’s landmark noir thriller.
Existential despair meets sixties cool in Masahiro Shinoda’s landmark noir thriller.
“Godzilla Minus One” is a rousing reminder that it’s still possible to create a crowd-pleasing movie that mixes smarts and humanity.
We take a look back at the Japan-crazy films of 2003: “Lost in Translation,” “Kill Bill Vol. 1” and “The Last Samurai.”
Greta Gerwig’s “Barbie” luxuriates in the artificiality of Barbie’s world, while injecting plenty of meta-commentary and dissonance.
“Mission: Impossible – Dead Reckoning Part One” trots out many of the old tricks, but the overall vibe is more somber this time around.
“Spider-Man: Across the Spider-Verse” is more intricate and frenetic than its predecessor but maintains its sense of wonder and visual pop.
“Slow Horses” pokes fun at the spy genre while honoring its conventions, with a scenery-chewing performance by Gary Oldman the cherry on top.
Rian Johnson’s “Glass Onion” is more acerbic and cutting than “Knives Out”—but is it better?
Season 3 of “Tom Clancy’s Jack Ryan” offers more of the same, in a story that bears an uncomfortably close resemblance to current events.
“Top Gun: Maverick” is a shameless crowd-pleaser with show-stopping flying sequences that put other blockbusters to shame.